April 28, 2025, I will give a talk about my work at Harvard University’s composition colloquium.

April 5, 2025, a new work-in-progress ambisonic fixed media piece will be presented as part of Brown University’s Residual Noise festival.

March 15, 2025, I defended my MA thesis at Brown University, which included the long-form work sandpaper, chalk, hung out wet written for line upon line percussion.

January 27, 2025, the Telegraph Quartet premieres bones, false currents at Brown University.

November 16, 2024, line upon line percussion premieres sandpaper, chalk, hung out wet in Austin, TX.

October 26, 2024, the Boston Modern Orchestra Project plays a new work for orchestra at Brown University’s 21st Century Orchestra festival.

March 28, 2024, HYPERCUBE plays wrenched through electrolite suspending at the RED NOTE New Music Festival.

March 22, 2024, Luke Helker plays metal on wind on metal at the Oh My Ears festival in Phoenix, AZ.

February 22, 2024, Sandbox Percussion plays gentle cycles of great yearning at Brown University.

February 1, 2024, wire splinters and collapses is featured at the Florida State University Festival of New Music.

January 12, 2024, line upon line plays dreamt in lock-groove waves at their Winter Composer Festival in Austin.

January 10, 2024, solo electronics set at Crashbox (Austin, TX).

December 8, 2023, Alejandro Escuer performs ditherer for solo flute and electronics at Brown University.

November 31, 2023, solo electronics set at Mayday (Providence, RI).

November 2023, short commentary featured in The Drift‘s November 2023 issue.

August 17 + 18, 2023, new work slightly all the time for violin and prepared guitar + transducers is performed twice at the Darmstadt Ferienkurse, Darmstadt, DE by Paolo Vuono & Antigoni Baxe and Amalia Young & Orestis Tsekouras.

August 15, 2023, the Mivos Quartet perform a revised version of branches turned into kindling in Darmstadt, DE.