Chamber Music

branches turned into kindling, string quartet — recorded by JACK Quartet for NMOP 2021

fractures with grain and the dust on the window-sill, violin, violoncello, and prepared piano (2020/2021) – written for Longleash, commissioned as part of the 2020/2021 Loretto Project

appearing | not appearing (i), reed quintet (2020)

ploughshares, redactions, and Pinter pauses, violin, violoncello, and piano (2019/2020) – written for Longleash

Electroacoustic and Multimedia

through the night, softly, for reed quintet and acousmatic fixed media (2022)

Date not remembered, ensemble and electromagnetic field recording (2021/2022) – commissioned by Sketch351

an effusion of granite and splinters in your feet, prepared piano and acousmatic fixed media (2021)

wire splinters and collapses, video and acousmatic fixed media (2021)

long_come_vanish, two percussionists and video (2020) – commissioned by Catch 22

assembling, appearing (not appearing), for table-top electric guitar, video, and live electronics (2020)

given (after Duchamp), for double bass and live electronics (2020)

Your being at the tender mercy of others (i), for horn and fixed media (2019) – commissioned by Kate Warren

Your being at the tender mercy of others (ii), for clarinet and fixed media (2019)

Large Ensemble

vestiges and dry-erase ghosts, for two mezzo-sopranos and sixteen instruments (2020)

dead parrot holy ghost, for orchestra (2020)

In a sleepier century, for four dancers and chamber orchestra (2017-2018) [choreography by Ben Howard and Holly Stone]

Music for Dance

Aigars Larionovs’ Rules of Engagement, fixed media (2019)

Anabel Bordelon’s And the Women Never Really Faint, fixed media (2019)

Bridget Close’s Consider the Source, piano and percussion (2019)

Holly Stone’s Quartet for Singers and Dancers, tenor and baritone voice (2019) – commissioned by Florida State University for the 2019 Honorary Doctoral Commencement of Allan Bense

Mikaila Ware’s Second-Hand Truths, fixed media (2017)

Music for Visual Art

Self Portrait, fixed media (2018), for Victoria Seybold’s Everything that is profound loves the mask (2019)