chamber music
New work for Sandbox Percussion (residency at Brown University), February 2024
New work for line upon line’s Winter Composer Festival, January 2024
New work for Amy Zuidema, fall 2023
slightly all the time, violin and guitar + transducer (2023) — written for the Darmstadt Ferienkurse
(almost always is nearly enough), flute and string trio (2022) — written for Ensemble Dal Niente.
branches turned into kindling, string quartet (2021) — recorded by JACK Quartet for NMOP 2021
fractures with grain, dust on the window-sill, violin, violoncello, and prepared piano (2020/2021) – written for Longleash, commissioned as part of the 2020/2021 Loretto Project
ploughshares, redactions, and Pinter pauses, violin, violoncello, and piano (2019/2020) – written for Longleash
multimedia + electroacoustic
New work for percussion trio and electronics, commissioned by line upon line (January 2024)
Untitled.exe, for percussion quartet, fixed media, and video (2022)
and then nothing turned itself inside-out, for computer-controlled organ and Max/MSP (2022)
phantom islands, saltwater superstructures, for piano, harp, and transducers (2022) — written for the 2022 Yarn/Wire Festival
through the night, softly, for reed quintet and acousmatic fixed media (2022) — written for the Calefax Reed Quintet
Date not remembered, ensemble and electromagnetic field recording (2021/2022) – commissioned by Sketch351
an effusion of granite and splinters in your feet, prepared piano and acousmatic fixed media (2021)
wire splinters and collapses, video and acousmatic fixed media (2021)
long_come_vanish, two percussionists and video (2020) – commissioned by Catch 22
assembling, appearing (not appearing), for table-top electric guitar, video, and live electronics (2020)
large ensemble
vestiges and dry-erase ghosts, for two mezzo-sopranos and sixteen instruments (2020-2021)
dead parrot holy ghost, for orchestra (2020)
In a sleepier century, for four dancers and chamber orchestra (2017-2018) [choreography by Ben Howard and Holly Stone]